Università degli Studi di PaviaCentro Interdisciplinare di Bioacustica e Ricerche AmbientaliVia Taramelli 24 - 27100 Pavia - Italyemail : cibra@unipv.it BioacousticsBioacoustics is a branch of zoology, strictly related to ethology, that investigates sound production and reception in animals, including man, and how animals communicate by means of sound. Bioacoustics also concerns the organs of hearing and the sound producing apparata as well as the physiological processes by which sounds are produced and received for communication as well as for echolocation purposes. Finally, it attempts to understand relationships between the features of the sounds an animal produces and the nature of the environment in which they are used and the functions they are designed to serve. Its development dates effectively from about 1950, when practical recording and analyzing methods became readily available to the scientific community. SoundscapesAs a landscape is what we visually perceive of an environment; a soundscape is the acoustic perception of an environment. A soundscape is created by all the sounds generated by the elements composing the environment; a natural soundscape includes all the animal voices and noises, and all the noises generated by the other natural components of the environment: the wind, the water flows, the rain, etc. A soundcape can include sounds and noises produced by the human presence; in some case those sounds add further details to the acoustic picture, but in other cases thay may disturb animal life, and human beings too. Natural soundscapes can be contaminated by the noise produced by human activities and the noise may interfere with the communicative sounds used by animals (masking) and may have an impact on their life. High noise levels may have a severe impact on natural habitats; this is particularly true in underwater habitats where sound propagates well and animals use sound as a primary system to communicate, navigate and find food. Soundscape ProjectCIBRA and "Parco Pineta di Appiano
Gentile e Tradate" have signed an agreement to cooperate
for the study and valorization of natural soundscapes even
in those areas where the human presence and noises can be
heard. The agreement includes the realization of a
bioacoustic section, entitled "The voices of Nature" at
the Natural History Museum "Antonio Stoppani" in Venegono
(CO). (download a
paper, in italian .pdf). Within the frame of the
Soundscape Project, CIBRA promotes the valorization of
educational trails where to discover valuable natural
habitats and listen to nature sounds. See the page on educational trails CD on birds songs of the "Parco Pineta"The first product of the Project is an
AudioCD with sound recordings of the species and of the
soundscapes of the "Parco Pineta". It was made by Guido
Pinoli and Gianni Pavan for the Parco Pineta with the
purpose of widening the awareness about the beauty of the
voices of the nature and of the silence. The CD will be
used as an educational support for the visits to the Parco
Pineta.
This CD is available in a limited number of copies. To get your copy for 12€ (including shipping) write to gianni.pavan@gmail.comSamples from the CDSample tracks have been encoded in MP3 at 320kbit/sec. If by clicking on the track number nothing happens, use the right mouse button and choose "download object" to save the track on your hard-disk. [Track 53] Marsh tit, Cincia bigia, Parus palustris
[Track 54] Coal tit, Cincia mora, Parus ater |
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Recording of background noise and of biological sources in the area of the "Parco Pineta di Tradate e Appiano Gentile" . |
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Noise measures taken with a high quality phonometer to characterize the contamination from anthropogenic noise sources. Road traffic, even if far, and airplane traffic, heavily affects the soundscape quality of natural habitats. |
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By using a parabolic reflector it is possible to focus on specific sound sources and minimize the sound and noises coming from other directions. The Telinga parabola equipped with the Telinga stereo microphone allows to capture individual sound sources while retaining some spatial information to make the recording more natural and pleasant. |
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Soundscape recording with a matched pair of low-noise microphones in ORTF configuration; these microphones have been chosen because of the very low self noise rated at a bit less than 6dB(A). Recording is done with a Sound Devices 722, an excellent hard-disc/CF recorder with very quiet microphone preamplifiers. The recordings made with this microphone-recorder combination are completely hiss-free. Unfortunately in many natural habitats far road traffic and airplanes heavily dominate the background noise.
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Soundscape recording with a pair of Rode NT1A connected to a PocketPC recorder. |
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PocketPc recorder based on CoreSound Mic2496 + CoreSound PDAudio CF + Live2496 recording software. The Mic2496 electronics have been adapted to a new custom made case with XLR connectors and additional internal batteries. |
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Laptop-based recording is useful for multichannel recording or if scheduling is required. Additional batteries and a solar panel provide extended working duration. |
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Recording river noise. Mercantour National Park
(F). |
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Recording with the Telinga parabola. Mercantour National Park (F). Photo courtesy of Philippe Aimar. |